“River Run” captures the spirit of a wild, white water rafting trip in the summer of 2017. My family and I took a guided tour down the Ocoee River, specifically a section built for the 1996 Olympic Games, which runs through the Ocoee Gorge in the Chattahoochee National Forest. It features the longest stretch of class III and IV rapids in the country. We had a great time, but the raft overturned throwing us into fast moving rapids with sharp rocks. We came out of it unscathed, but it was a harrowing experience none the less.
Xylophone and marimba create the feeling of swift currents underlying foreboding melodic contours. Splashy percussion sounds like waves crashing on rocks, while three distinct melodic themes represent specific rapids on the Ocoee.
“River Run” features progress tonality meaning it starts in the key of C Phrygian and ends in the key of G minor without returning to the original key. This technique was made popular in the 19th century by romantic composers including Mahler, Schubert, Chopin, Brahms and Mendelssohn.
Click on the photo below or here to watch the video.
I created this PowerPoint for HUM 125: Popular Music in America. It covers Chapter 9 in Michael Campbell’s textbook entitled Popular Music in America: The Beat Goes On. It contains links to listening examples and covers rock ‘n’ roll in the 1950s, the search for the first rock ‘n’ roll record.
I created these slides for HUM 125, a humanities course at the Atlanta Institute of Music and Media. It focuses on popular music since 1950 in America. These slides go with the book by Michael Campbell entitled “Popular Music In America: The Beat Goes On”. There are listening links to all examples and much more. This particular set of slides covers chapter 1 in the book, which discusses style elements and active listening using Maybellene by Chuck Berry.
Friday, I received a nice letter from the College Music Society. They selected my conference proposal! Jennifer Jones Mitchell and I will be presenting at the 2016 CMS National Conference in Santa Fe. We’re excited! Our topic is “Marketing Your Music Online: A Guide to Social Media for The Musician”.
The conference will be late October at at the Eldorado Hotel & Spa, the Hilton Santa Fe Historic Plaza, and St. Francis Auditorium in Santa Fe, New Mexico.
In January and February of 2016, the College Music Society Monthly Discussion Forum focused on music and technology. The survey questions were designed by Dr. David Mitchell and a summary of the results is now available on the College Music Society website. Click on the link below to have a look.
The purpose of this survey was to learn how many schools currently offer music and technology degrees and how many schools make technology part of their degree program. The results were very interesting…
On February 18th, 2016, I presented at the College Music Society regional conference at Birmingham Southern College. My topic was How to Designing a Music and Technology Degree. I covered NASM requirements and issues to consider when designing a Music and Technology degree.
In today’s digital entertainment industry, it is more important than ever for music graduates to master digital recording techniques, in addition to their instrument. After all, digital media is the medium through which our music is most often created, found and heard. Students with the right skills can distribute their music to a global audience for commercial applications, streaming, licensing and much more. In fact, the opportunities for today’s musicians are limited only by their imagination and ability to take advantage of digital music opportunities online.
In my opinion, M and T will be the preferred degree for 21st century musicians.
Dr. David Mitchell is scheduled to present at the College Music Society Southern Conference on Designing Music and Technology Courses on February 18, 2016.
Attendees will learn about and discuss the trend away from traditional instrumental performance degrees and toward music and technology degrees that better prepare graduates for today’s job market. The discussion will include paradigm shifts in the music industry, including online streaming, digital downloads and multimedia production.