Dr. Mitchell’s original composition The Witch’s Hex was given an Honorable Mention at the 2015 Macro Composer’s Society Conference.
The 2014 Society of Composers National Conference took place March 20-22 at Ball State University in Muncie, Indiana. It featured three days of concerts and paper sessions in Sursa Performance Hall by select composers from across the US. The conference wordpress blog and facebook page contain specific details regarding the concert schedule and events. The overall quality of the concerts and paper sessions was excellent!
Notably, the majority of concerts featured electronic resources and multimedia. To be sure, there were a number of pieces with traditional acoustic instruments and some old school electroacoustic music with outstanding spatialization enhanced by Sursa’s eight-speaker configuration which enveloped the audience. That being said, many, if not a major of pieces on the program featured both acoustic instruments and either prerecorded electronic accompany or manipulation of live sound in real time. Some pieces also contained video projection in which case, a video screen was lowered above the stage.
It is exciting to note that 21st century composers are embracing technology and multimedia. With all of the new resources available to composers, it seems that composers of new music are blurring the lines between electronic and acoustic music. This most assuredly will be an area of research for some musicologist in the not too distance future.
In addition, many of the paper sessions discussed topics related to emerging technologies and live performance. For example, Zachary Boyt discussed MIDI bows, while Orlando Legname presented electronic sensors for conducting which interact with MAX/MSP in real time.
It was a great conference. I’m definitely planning to attend the 2015 conference. I would recommend it to all composers of new music who wish to stay abreast of the latest developments in new music.
By the way, I was a presenter at the first paper session on Friday, March 21. My paper was entitled Metamorphoses Nocturnes a Stepping Stone in the Compositional Development of Gyorgy Ligeti.
Special thanks to Michael Pounds, Keith Kothman and Jim Rhinehart for organizing such a great conference. If I have left anyone out, my apologizes. Please send me your name and a link to your blog and/or website, and I can include it in this blog. Thanks again! See you in 2015.
I recently discussed the value of inversion and retrograde, two compositional techniques, in an earlier post.
Here is an original composition for classical guitar, “Rainy Nights for Jennifer” that demonstrates these techniques. The first example of inversion occurs at 1:48. There are a number of other examples throughout the composition, especially after the tempo change at 2:05.
This was a live performance at the Atlanta Institute of Music.
Let me know what you hear.
Dr. David Mitchell of The Music Composition Blog shows you how to change strings on a classical guitar. http://www.themusiccompositionblog.com Follow Dr. Mitchell @music_comp