My latest pop tune, “Ice Cream”, was inspired by Rick James and Prince. It’s an electro-funk composition with a super catchy beat.
This is my first pop tune available on all major streaming services, see the links below to check it out.
I thought I’d share what I learned about the process.
The publication process:
Have it mixed and mastered professionally. It makes a difference, especially when streaming on different platforms. The mastering engineer will add correct metadata, so it can be tracked and monetized.
Register it with either BMI or ASCAP. I’m a member of ASCAP. They will give you a registration number connected to the metadata in your track.
Publish it through CD Baby or any other publishing company. CD Baby charges a one-time, $35 fee for a single or $50 for an album. They’ll need your registration number from ASCAP or BMI to track downloads and streaming.
Once it’s published, it’ll can take several days or several weeks for your song to first appear on Apple Music, iTunes, Spotify, Pandora, Tidal and all the rest. CD Baby will track the streams for you and send a check each quarter.
Next, you got to promote it through paid advertising, digital radio, terrestrial radio and/or social media. That’s where the real work begins. Nobody will find it unless you push it.
I created this PowerPoint for HUM 125: Popular Music in America. It covers Chapter 9 in Michael Campbell’s textbook entitled Popular Music in America: The Beat Goes On. It contains links to listening examples and covers rock ‘n’ roll in the 1950s, the search for the first rock ‘n’ roll record.
I created these slides for HUM 125, a humanities course at the Atlanta Institute of Music and Media. It focuses on popular music since 1950 in America. These slides go with the book by Michael Campbell entitled “Popular Music In America: The Beat Goes On”. There are listening links to all examples and much more. This particular set of slides covers chapter 1 in the book, which discusses style elements and active listening using Maybellene by Chuck Berry.
This piece started out as a variation on “Clapping Music” by Steve Reich and quickly became something totally different. It was created using a step sequencer object in MAX filtered using a Lemur app in Ableton. I added percussion and a second synth part in Pro Tools. The open-source video is by Brad Bell. Enjoy!
Here’s an interesting rendition of Steve Reich’s “Clapping Music”. If your unfamiliar with this piece, it’s two identical rhythmic patterns in 12/8 time. They start at the same time, but after eight measures, the second pattern starts an eighth note later putting them “out of phase”. You can see this happening in the matrix object in the video. The phasing process is repeated every eight measures (creating some very interesting rhythmic interplay) until they become “in phase” once again. I plan to create a series of variations using this particular Max patch.
This piece is typically performed with real musicians. I decided to create an electronic patch as an experiment to learn more about MAX and its matrix object. Once the patch has been created, it’s a snap to adjust the matrix and create new rhythmic patterns.
Prince fans, take heart. According to an article on HuffPo, a surprise new EP containing six unreleased tracks recorded between 2006 and 2008 will be released this Friday, April 21, 2017. It will be available on Apple Music, and the title track, “Deliverance” is already available to stream on a number of services.
The producer, Ian Boxill has been working on this music over the last year and planned the release to coincide with the one-year anniversary of Prince’s Death. Paisley Park and Prince’s estate have filed a lawsuit claiming the producer is “trying to exploit one or more songs for his personal gain”.
We’ll see what happens. I’m just glad we have some new tunes from The Purple One!
I wanted to share an arrangement of “When You Wish Upon A Star”. I did this particular arrangement in roughly 2008, while working on my masters degree in music composition and theory at The University of Georgia.
It’s a tremolo arrangement, which seems to work nicely with this piece.
Since it’s still under copy write with Disney, I can’t sell copies, but feel free to download it and enjoy!
If you work it up and perform it somewhere in the future, please let me know at firstname.lastname@example.org or email@example.com