Thought I’d share this link to a review of Dr. Yonce’s CD, Dreams Grow Like Snow Ice. They reviewed my piece too. : ) Click on “The Flute View” below.
Thought I’d share my demo reel, which I use for commercial gigs. It features work I did for The Coca-Cola Company, Hilton Hotels and a video game score for Cogent Education. There’s also a pop tune at the end for good measure. Enjoy!
If you’d like Dr. Mitchell to score your next commercial project, contact him at firstname.lastname@example.org
“Angularites” by Dr. Mitchell is available to stream. Special thanks to Dr. Tammy Yonce. Also, it will soon be available on Amazon through Dorn Publications.
Tammy Evans Yonce will release her debut album soon. Dr. Yonce is a flutist and professor of music at South Dakota State University.
One of the tracks on Dreams Grow Like Slow Ice is my original composition, “Angularities”, for solo glissando-headjoint flute. I wrote this piece specifically for Dr. Yonce, and I’m honored that she has included on this CD. Looking forward to the release. You can preordered below.
Preorder her debut album here: https://tammyevansyonce.bandcamp.com/album/dreams-grow-like-slow-ice
Proud to announce, themusiccompositionblog made Feedspot’s “Top 15 Music Composition Blogs”. Yay!!!
Here’s a link to view the list:
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“River Run” captures the spirit of a wild, white water rafting trip in the summer of 2017. My family and I took a guided tour down the Ocoee River, specifically a section built for the 1996 Olympic Games, which runs through the Ocoee Gorge in the Chattahoochee National Forest. It features the longest stretch of class III and IV rapids in the country. We had a great time, but the raft overturned throwing us into fast moving rapids with sharp rocks. We came out of it unscathed, but it was a harrowing experience none the less.
Xylophone and marimba create the feeling of swift currents underlying foreboding melodic contours. Splashy percussion sounds like waves crashing on rocks, while three distinct melodic themes represent specific rapids on the Ocoee.
“River Run” features progress tonality meaning it starts in the key of C Phrygian and ends in the key of G minor without returning to the original key. This technique was made popular in the 19th century by romantic composers including Mahler, Schubert, Chopin, Brahms and Mendelssohn.
Click on the photo below or here to watch the video.
My latest pop tune, “Ice Cream”, was inspired by Rick James and Prince. It’s an electro-funk composition with a super catchy beat.
This is my first pop tune available on all major streaming services, see the links below to check it out.
I thought I’d share what I learned about the process.
The publication process:
- Have it mixed and mastered professionally. It makes a difference, especially when streaming on different platforms. The mastering engineer will add correct metadata, so it can be tracked and monetized.
- Register it with either BMI or ASCAP. I’m a member of ASCAP. They will give you a registration number connected to the metadata in your track.
- Publish it through CD Baby or any other publishing company. CD Baby charges a one-time, $35 fee for a single or $50 for an album. They’ll need your registration number from ASCAP or BMI to track downloads and streaming.
- Once it’s published, it’ll can take several days or several weeks for your song to first appear on Apple Music, iTunes, Spotify, Pandora, Tidal and all the rest. CD Baby will track the streams for you and send a check each quarter.
- Next, you got to promote it through paid advertising, digital radio, terrestrial radio and/or social media. That’s where the real work begins. Nobody will find it unless you push it.